The show kicks off with the intelligence unit restricted as part of a simulation about a potential terror incident, supervised by two Home Office agents. As events unfold, it seems an actual attack has occurred with a chemical weapon released. The tension ratchets up as incoming communications show a crisis unfolding beyond their walls, and gets worse as the boss appears to be infected, and the two Home Office officials attempt to leave, compelling the character played by Matthew Macfadyen to choose between firing at them or allowing them to leave and potentially infecting the secure MI5 headquarters. Given it’s Spooks, his decision is predictable.
The production was inexpensive but one of the most frightening programmes I have viewed due to its harsh realism and grim official statistics. Viewed it recently after seeing the first airing; I often attended the bar in Sheffield featured in the show which underscored the actuality and the glib matter-of-fact official information which was broadcast. Still absolutely terrifying 35 years later.
The first season finale of Severance has to be right up there among intense episodes. I spent the entire episode literally perched nervously, straining every sinew with Dylan to maintain his grip on the controls that kept the Innies on overtime, while shouting to the Innies to disclose their facts. The concluding高潮 – “she survives!” – felt like an explosion.
The fifth episode of Industry’s third season caused my heart to pound. I was compelled to halt and rise and exit the space repeatedly because of the sheer scale of the deliberate ruin I observed. Rishi Ramdani is in major difficulty at work and home – buried in financial obligations from unscrupulous lenders owing to his uncontrollable gaming, taking such risks on a wager involving sterling that might cost his firm millions. So of course, he goes on a gambling spree, does tons of drugs and drink and alternates between success and failure, is brutally attacked. Whenever you assume the situation cannot deteriorate further, it worsens. There’s hope of redemption as the installment closes but he misses the opening, resulting in dreadful effects during the season’s final episode. Certainly required a rest afterward!
Peep Show is not inherently a tense series. Yet the installment Holiday contains such levels of cringe that it will make you rise throughout the entire episode, riddled with anxiety. The tension escalates as Jeremy and Mark discover needing to deceive regarding the dog they by chance collide with and later efforts to get rid of it. You then occupy the remainder of the episode wondering if it might be more awful than cremation, and it can be!
Nothing I’ve watched has been more intense than the first time I watched the season two finale to The West Wing. The episode starts with the aftermath of the passing (in a road incident) of the president’s personal secretary and reaches a crescendo with a crisis in Haiti, and the repercussions of the secrecy about the president’s MS condition, along with affirmation of his plan to pursue re-election. Superb programming. Never bettered.
The opening of the British series Bodyguard, with the hero aboard a train with his young son, is for me one of the most intense episodes ever. He spots a Muslim woman heading to the toilet and knows something is off. The explosive disposal specialists are summoned, get on the train, and try to persuade the woman to remove her explosive vest. Tension escalates to an almost unbearable degree, until yes, the vest is diffused.
Buffy comes into her home to find her mum has passed away of natural causes, which is the least common kind of passing in this paranormal series. The episode has no background music, a sullen tone, and we view the installment through the lens of Buffy’s shock of discovering her mother.
The ultimate sequence of the series finale of the program was incredibly anxious. And if you watched it when it originally aired, you – initially – were uncertain of the reason. Tony’s foes, genuine and fictional, were all vanquished. This seems similar to the first season’s finale, right? “Remember the little things.” However, the vibe is oddly threatening. Approaching Twin Peaks-esque horror. The clan sits in an eatery. Meadow parks. Tony gloomily informs Carmela there’s trouble afoot with an additional associate collaborating with the authorities. Meadow parks. Unfamiliar individuals come into the diner. Look at Tony(?) Meadow continues to park. Tony plays a track on the music machine. Meadow parks her car. The door chimes, a person comes in. Can’t be Meadow, she’s still parking. Tony glances upward. Keep going. It stops. My heart sank around 20 minutes subsequently.
I kept late hours to see this show in the early morning. It was so intense after the buildup of bad guy Negan finding the group, cruelly taunting his victims and then leaving the victim unknown (finished with an unresolved situation). The first-person perspective of the victim and the muffled sounds – argh! {We then had to wait for season seven|We then needed to await season
Lena is a passionate gamer and tech writer, specializing in indie games and esports coverage.